Another year, another music mix. I’m a little later with the liner notes this year — sorry about that. For the past few months I’ve found myself with a whole bunch of short-term, unduckable, hard-deadline projects. (Christmas counts as one of these. :)) My time is opening up a bit more now, so I’m finally able to get to these notes! This year’s mix is heavy on the Neko Case, a singer/songwriter I’ve loved for a few years but really dug deeper into during 2013. It’s also got plenty of the usual suspects (Folds, Nicks, Beatles) and some other stuff that grabbed me this year for a variety of specific reasons.
1. Ben Folds Five – House
I got hold of Ben’s box set in 2012, but it didn’t reach the front of the queue until early 2013. The discs are themed — rarities, live stuff, and “greatest hits.” He also got back together for a few tracks with the other two guys in Ben Folds Five (the Five was always a trio), and the hits disc has a couple of new songs from the band, including this one. I loved this song almost immediately. It reminds me of people I’ve known who have been traumatized in a family setting and then left the house behind. Maya Angelou talks about leaving her childhood home of Stamps, Arkansas — not just the place but “the condition that was Stamps, Arkansas.” The places where you go through great pain live inside your head themselves, and even if you can’t burn the house down, you can certainly choose never to re-enter that condition again.
2. Neko Case – At Last
Oh Neko. Her songs are mostly short but I find them so electrifying. First, there’s her lyrics, elliptical and evocative in that Stevie Nicks way, but with an earthy, bloody touch that gives them a different tang in the brain. Then there’s the music, spooky melodies on country instruments, folk rock with the occasional jagged edge. And finally, the voice oh my god the voice. Neko has one of my favorite voices of anyone, ever. It is almost literally intoxicating to me — I can feel my nervous system lighting up like fireworks when I hear it — my breath gets short and my pulse gets quick. This song has a Dickinsonian quality to it as well, contemplating death with equanimity even as it embraces and longs for life.
3. Neko Case – Red Tide
One reason I dove depeer into Neko’s work last year is that I bought a ticket to see her sing in September, and wanted to know her ouevre a little better before I saw the show. As it turned out, she was sick for the concert, so although she still sounded PERFECT her energy was muted. I think my favorite performance was of this song, which is from the first album of hers I really got to know, a record called Middle Cyclone. Like many of her songs, it is compelling, immediate, and vivid to me. She sings it with this incredible full-throated authority, and again, it makes my brain buzz and my whole body want to be alive.
4. Johnny Cash – Folsom Prison Blues
I keep falling farther and farther behind on current music, because I find myself fascinated by filling the gaps in the knowledge I grew up with. Johnny Cash was one of those gaps. I’m not usually a country guy, but Cash to me transcends genre. He’s another one with an unforgettable voice, though in a whole different way than Case. (Hm, one letter difference. How about that?) But I only ever knew the barest outline of his work, so I got hold of an “essential” collection for him and added to my repertoire. This song is one of his most iconic, and for good reason. It’s got the great storytelling of folk music, delivered in a way that’s solemn, knowing, and a bit playful all at once. And he performs it *at the prison*. It’s a stunt, but what a stunt. (Apparently the cheers for “I shot a man in Reno” were added in post-production. Cheating!)
5. Ben Folds Five – Away When You Were Here
The BFF experiment on the box set was so successful that the band decided to get together for a whole new album, released in fall of 2012. My musical shelf being what it is, I didn’t listen to it until 2013. It’s very typical of their work, which is to say it is part rockin’, part silly, part thrilling, and part heartbreaking. This song falls into that latter category. I just love his lyrics, the way he can capture the interior experience with an image — “Sometimes a phrase or a manner that’s you / Comes through me and goes in a flash” — and then enact that image by paralleling “You seemed lost in clouds” and “When I’m lost in clouds.” God, that’s good.
6. R.E.M. – The One I Love
In February 2013 I went once again to Austin, Texas, to compete in a big trivia contest called the Geek Bowl. That was the second time I’d gone, and as we’d done the first time, some teammates and I went to a great record store there called Waterloo Records. There among the incoming used CDs was R.E.M.’s Document, an album I’d always had on cassette but never had a digital copy of. So I snagged it for some low low price and revisited it later that year. It’s funny to come back to albums that came out when I was in my teens. (Document came out in 1987, when I was 17 years old.) I remember at the time wondering what it would have been like to be alive and aware when something like Sgt. Pepper, or Pearl, or Surrealistic Pillow was released. Well, now I know, and it’s lovely to get the same pleasure now that I got from the album 25 years ago. It felt like a classic at the time, because it was.
7. Glen Hansard – Lies
I saw the movie Once when it was in the theaters — in fact, I didn’t know this at the time but the showing I saw was the very last movie shown at the movie theater on 30th and Pearl in Boulder, before they tore it down to build a Barnes & Noble. (Boulder used to have at least 4 different movie theaters — now it has one. Apparently the town can’t support that many movies?) I really liked the movie at the time, especially the music, so I put the soundtrack on my wish list some time later, and finally got it in time to listen in 2013. It’s hard to pick a song from this album, but this one seemed quite emblematic of the angst, longing, and fierceness that runs through the film and its music.
8. Lindsey Buckingham – This Nearly Was Mine (instrumental)
I get impatient with a lot of Lindsey’s solo work lately, all breathy vocals and superfast virtuoso picking. It’s fine, but it gets pretty samey, especially compared with the record I see as his masterpiece, 1992’s Out Of The Cradle. That collection had some of his picking and sing-talking, but it also had fantastic pop songs like “Countdown” and “Don’t Look Down”, lovely ballads like “Surrender The Rain” and “All My Sorrows”, and beautiful instrumental passages like this one. I got the mp3 album from Amazon, burned it to CD last year, and spent some time reacquainting myself with it. “This Nearly Was Mine” is actually a Rodgers & Hammerstein tune, from South Pacific — it was a favorite of Lindsey’s dad, so it got included here as a kind of tribute. Lindsey’s treatment of it is uncharacteristically gentle — even his softest songs tend to have an aggressive edge to them, but not here. (Though the only link I can find is to a live version where he can’t help himself from slipping into virtuoso mode at one point.) He brings out the poignancy of the melody so much that I had to look up the lyrics, and having done so I decided to quote them for the title of this collection, promises of paradise kept, broken, and found at last.
9. The Beatles – How Do You Do It?
Most of my Beatles Anthology listening was in 2012, but a bit spilled over into 2013. This is from the first one, which had lots of very early stuff from their formative days. That has limited appeal for me, but this tune I found fascinating. I’m used to stories of Lennon-McCartney compositions not recorded by the Beatles but made famous by other artists (e.g. The Rolling Stones having one of their first hits with “I Wanna Be Your Man”, which the Beatles only recorded later.) This song, though, wasn’t by Lennon-McCartney, but fits that early Beatles sound nicely. They recorded it but didn’t release it, and then Gerry & The Pacemakers took it to a giant number one. Great going, Beatles. Of course, they had their revenge when “From Me To You” knocked it off the charts. 🙂
10. Steven Wright – Cross Country
For Christmas 2011 I made my sister some comedy mix CDs, which allowed me to go out and collect lots of comedy I didn’t have digital copies of before. Steven Wright’s I Have A Pony was one of these. Picking a favorite Steven Wright joke is like picking a favorite Far Side cartoon, but one I’ve always loved is: “Last summer I drove cross country with a friend of mine… The whole way across we only had one cassette tape to listen to. I can’t remember what it was.” Seems like a fine inclusion for a music mix.
11. Iggy Pop – Lust For Life
I’ve been doing an independent learning/writing project revolving around Alan Moore’s Watchmen, pursuing all the cultural texts it references (or is said to reference by fans.) There’s a panel in Watchmen that quotes Iggy’s “Neighborhood Threat”, which led to me getting the Lust For Life album and reading a biography of him. (I wrote up the Iggy/Watchmen connection here.) There are plenty of great songs on that album, but this one is just so magnetic to me, even after it’s been worn smooth by Trainspotting and endlessly repeated cruise commercials. I learned that Iggy actually improvised all the lyrics to this on the first take. Wow! Though I suppose it does explain the “hypnotizing chickens” and “had it in the ear before” parts better than anything else can…
12. Greg Wells – Disarm
Okay, so here’s an odd one. This guy Greg Wells? He played a big part in my life recently — he hired me into my current job. Though an IT guy by day, Greg’s true passions are music and photography. He’s a talented musician with a home studio, and during my first couple of years on the job he was developing his most recent album, which is mostly covers with a couple of originals thrown in. He plays all the instruments on all the songs. Greg knew I was a music guy, so he’d periodically bring in draft copies of the album for me to listen to and give feedback on, which was a lot of fun. I ended up really liking this Smashing Pumpkins cover. I think his phrasing is actually better than Billy Corgan’s. I owe Greg a lot — he helped me out of a really bad work situation into something much better — but I’d enjoy this even if I didn’t know him.
13. Ben Folds Five – The Sound Of The Life Of The Mind
I couldn’t restrict myself to just one song from this album. Nick Hornby wrote the lyrics for this one, as he did for Ben’s previous album Lonely Avenue. I absolutely love the Taupin-John thing those two guys do, and this time Hornby’s lyrics seemed to tap into Folds iconography, recalling the bright but dissatisfied Sara (spelled without an h) from “Zak And Sara.” I have a special affection for people with noisy brains, and I just adore the portrait of how disconnecting it can be to live among people who engage life on a different level, as well as how profoundly satisfying it is to find the life of the mind at last. Plus, this song rocks like a mother.
14. Ben Folds – Not The Same (live)
One more tune from the box set. I got introduced to Ben’s music when I saw him open for Tori Amos at Red Rocks. He played this song at that show, and he did the thing you can hear on this recording, introducing the harmonies to the audience so that they could sing them when the time came. At the end of the song, he climbed on top of his piano and conducted 9,000 singers. Our voices rang off the rocks, in three-part harmony, and I knew I had to find out more about this guy.
15. Neko Case – The Pharoahs
This is another song from Middle Cyclone. It came very close to being included in the mix from a few years ago, when I was listening heavily to that CD, but in the end it didn’t quite make the cut. I decided to resurrect it since I was doing so much Neko this year — I’d always regretted just a little bit my decision to leave it out. I find the melody so hypnotic and elevating, along with the fucking brilliant imagery — “I listened in when you thought you were alone / Calling the sphinx on a tornado’s phone.” It’s such a perfect vignette of a young crush, that moment of growing up when “the wanting in the movies and the hymns” crashes up against the facts of real life and real people. And my GOD, that voice.
16. Stevie Nicks – Battle Of The Dragon
This song and the next one are from the same source: a Christmas 2012 mix CD I made for my sister called “Good Songs Bad Movies.” This pensive Stevie rarity is from the perfectly awful movie American Anthem, a starring vehicle for Olympic gymnast Mitch Gaylord. Mitch plays a guy who, uh, wants to be a gymnast. Anyway, this is pure 80s Stevie, a picture of a complicated and vexing relationship, played over sparkling, chiming synths. It deserved a better fate than exile to the American Anthem soundtrack.
17. Evanescence – Bring Me To Life
Then there’s this song, which appeared on the Daredevil soundtrack. I’m a big fan of the character and I really, really wanted to like the movie, but I just couldn’t, which should tell you something about how bad it is. The song, on the other hand, I absolutely love. Amy Lee is like a heavy-metal Stevie herself, and this is my favorite thing she ever did — I always have to turn it up loud whenever I hear it. I relate to the lyrics probably more than I should. What I mean by that is they tap into that part of me that wants to save the people I love from their misery and pain. That’s not necessarily a bad thing, but I always have to keep an eye on how much it drives me, because it can lead to distorted decision-making. It’s really the perfect song for superhero movie, as it addresses the part of the superhero metaphor that I’ve imprinted upon very deeply. Too bad it couldn’t have come with a better movie.
18. Adele – He Won’t Go
Speaking of rescues, this song is very personal to me. A major feature of my 2013 was watching a close friend spin into an extended crisis, which actually just hit its peak (Jesus, I hope so anyway) a couple of weeks ago. As I watched him go through cycles of recovering and relapsing, I worked hard to blunt the edges coming at him, to ensure he wouldn’t lose everything to a force he couldn’t control. I don’t know how much of that was being a loving friend and how much was my rescuer complex, but I think I did some good things in the end. So when Adele says, “If this ain’t love, then what is? / I’m willing to take the risk,” I hear it right down to my core.
19. Thompson Twins – Lay Your Hands On Me
One more song about love and healing. I always thought the Thompson Twins were underrated, and this song is probably tied with “Hold Me Now” for my favorite of theirs. I was listening to a greatest hits collection last year, and this one jumped out at me for reasons similar to the Adele song above.
20. Bob Marley – High Tide Or Low Tide
Okay, perhaps more than I realized, the theme of this past year for me has been loyalty and dedication in love. Funny how you don’t always know what something’s about until you make it. I saw the movie Marley in 2012, and listened to the soundtrack in 2013. Bob Marley has always been a greatest hits artist for me, and he still is, but I really enjoyed digging a little deeper into his catalog. This is a gem that was overlooked until the movie featured it prominently — I don’t think it was even on any of Bob’s albums, though as I said I’m not an expert. In any case, it fit perfectly into my year.
21. The Beatles – The Long And Winding Road
Yes, this song continues the love and loyalty theme, but the reason it featured in 2013 for me was that I finally got around to acquiring Let It Be… Naked, the version of Let It Be without all the Phil Spector overdubs and instrumentation. The biggest difference was on this song, stripped of the choir and orchestra that Spector layered onto the original version. I loved the original, but I think I like this one a little more. It is more powerful in its simplicity.
22. Neko Case – I Wish I Was The Moon
I close with one more from Neko, a piercing melancholy ache. I think I want to let this song speak for itself. “How will you know when you’ve found me at last? / Cos I’ll be the one, be the one, be the one / With my heart in my lap / I’m so tired, I’m so tired / And I wish I was the moon tonight.”