Paul O'Brian writes about Watchmen, trivia, albums, interactive fiction, and more.

>SUPERVERBOSE

Tag: superhero Page 5 of 6

Words I Learned From Comics

Today’s installment focuses on some of the vocabulary I’ve gained from my lifelong enthusiasm for comics. I’ve been a Marvel comics reader since I was six years old, as well as an aficionado of newspaper strips, Mad magazine (in my tweens/teens, anyway), graphic novels, and these days, webcomics.

  • corsair: A pirate.
    [The X-Man Cyclops was originally written as an orphan, but in the 70s, Chris Claremont decided to reintroduce Cyclops’s father as Corsair, the leader of a band of space pirates. Space pirates! Cosmic freebooters! (I may have learned freebooter from this source as well.)]
  • defenestrate: To throw something or someone out of a window.
    [Early in Peter David’s hilarious and satisfying run on X-Factor (issue #71 to be exact), the musclebound mutant known as Strong Guy says this: “I’m watcha call ‘sensitive.’ ‘Course, some blork got a problem with that… then I’ll defenestrate him.” When I looked this up, I was delighted to discover that English has a special word just for throwing somebody out a window. What a great language.]
  • effendi: A Middle Eastern term for a respected man.
    [Stan Lee has an abiding love for unusual, colorful words. When he developed the editorial personality of Marvel, he was known to run wild with the alliteration, producing news column headings along the lines of “A Cacophonous Collection Of Captivating Capsule Comments Calculated To Corral Your Consciousness!” He also instilled certain linguistic tics, one of which was the frequent use of “effendi”, as in, “Don’t worry, effendi, we’ll catch you up on the plot as we go!”]
  • excelsior: Ever upward.
    [And then there’s the most iconic Lee-ism of all. Stan used to write a column in the comics called “Stan’s Soapbox,” in which he expounded about whatever was on his mind or, more often, whatever new product the company was about to offer. He ended each column with an enthusiastic “Excelsior!” (I had to consciously work not to put exclamation points on the word and definition above.) Apparently, this is also the Latin motto of New York state.]
  • hoary: Extremely old.
    [Another place where Lee’s logophilia was allowed to run wild was in the arcane incantations of Dr. Strange. There were plenty of words to learn from these, so I chose one arbitrarily, from the frequently-invoked “Hoary Hosts Of Hoggoth.”]
  • invincible: Impossible to defeat.
    [To punch up his titles, Stan would throw an adjective before the hero’s name on the cover: “The Amazing Spider-Man” or “The Mighty Thor”. In the case of “The Incredible Hulk,” the adjective has practically become part of the character’s name. With “The Invincible Iron Man,” the adjective was new to my 7-year-old self. There’s another one of those coming later.]
  • katzenjammer: Loud, chaotic noise.
    [It wasn’t just Marvel comics that taught me new words. My interest in them led me to scour the library for whatever I could find about comics history, and in the process I ran across The Katzenjammer Kids, a comic strip from the early 20th century. I figured out later that Katzenjammer was not only the name of the strip’s central characters, it was a descriptor of them as well.]
  • martinet: A strict, pitiless disciplinarian.
    [I was a huge fan of Chris Claremont’s New Mutants series in the early 80s, and read those issues over and over. That must be why whole phrases from them still stick in my mind, 25 years after my first reading. For instance, in New Mutants #7, when the team thinks one of its teammates has died in an explosion, Professor X sends them on vacation rather than having them search for her. A couple of X-Men question his decision, and he explains that the entity who caused the explosion is too dangerous for the young team: “For the moment, it is best they think Shan dead — and me a heartless martinet. They may hate me, but at least they’ll be alive.”]
  • mutant: An organism whose genetic makeup is unique due to a spontaneous change in DNA.
    [The word “mutant” itself was new to me when I first started reading about the X-Men in Son Of Origins Of Marvel Comics. According to Lee, he wanted to call the book The Mutants, but was shot down by his publisher Martin Goodman, who insisted that younger readers (what Lee calls “the bubble-gum brigade”) wouldn’t understand the word and would avoid the book. Given that I was a member of that very brigade at the time I was reading, I’m pretty sure Goodman was wrong.]
  • picayune: Trivial; petty.
    [Here’s another one from a newspaper strip, this time Bloom County, whose in-universe newspaper was the Bloom Picayune. One of the strip’s paperback collections even included a sample copy.]
  • prehensile: Able to grasp or hold things.
    [Lee isn’t the only one with tics. Chris Claremont would use the same phrases over and over, such as calling the X-Men “occasionally outlaw superheroes.” One of his favorites was to constantly remind us that Nightcrawler‘s tail is prehensile, allowing him to grab things with it.]
  • ragnarok: The apocalypse, or “Doom of the gods”, in Norse mythology, in which deities clash and destroy the universe.
    [Stan explicitly embraced mythology, going so far as to make a superhero out of Thor, the Norse god of thunder. (That Thor spoke mainly in Elizabethan English is a mystery I will not attempt to unravel here.) In adopting Thor, he brought in not only a huge supporting cast from the Norse myths, but many of their plot points as well. Thor and his fellow gods have been through many a Marvel ragnarok over the last 40 years.]
  • rapport: Sympathetic connection between people, marked by the sharing of perspectives.
    [Claremont liked to lean on this word to describe close relationships with one or more telepaths involved, whether it be Cyclops and Jean Grey or Dani Moonstar and Rahne Sinclair.]
  • revanche: Revenge; retaliation.
    [During the 1990s, X-Men continuity got so baffling that I pretty much disengaged from most of it. At some point during that period, Fabian Nicieza created a character called Revanche, whose most interesting quality was her vocabulary-enriching name.]
  • sobriquet: A descriptive nickname.
    [This one was another Lee-ism, as in, “He calls himself Mr. Fantastic, a swingin’ sobriquet if there ever was one!”]
  • tatterdemalion: A person wearing ragged, tattered clothing.
    [A minor supervillain in the Marvel Universe, Tatterdemalion lived up to his name with a ragged, tattered costume.]
  • telepathy: The ability to read minds and/or project one’s thoughts.
    [Keep in mind, I was quite young when I started reading comics. It was my first encounter with the idea of psychic powers — when Charles Xavier was described as “telepathic,” I had to look it up. Along this line, I also learned telekinesis, pyrokinesis, and other such words for mentally derived superpowers.]
  • uncanny: Eerie, unsettling, bizarre; seemingly supernatural in origin.
    [Like “The Invincible Iron Man”, “The Uncanny X-Men” introduced me to a brand new and very spiffy adjective.]
  • whimsy: Fanciful, illogical, quaint.
    [My memory of this one is fuzzy — it was in some humor magazine, probably a Mad knockoff like Cracked or Crazy. In its table of contents, it contained an expressive row of faces demonstrating various moods of humor, such as satire, drollery, and whimsy. I don’t remember anything else about the magazine, but I do remember that captivating word.]

Sometimes you get not just one brand new word but a whole string of them thrown at you. For those, I am awarding a COMBO SCORE, and I am pleased to give the first one to Avengers #93:

  • Poltroon! Craven recreant!: Coward! Cowardly coward!
    [See, the Super-Skrull is fighting the Vision, and the Vision decides to flee rather than continue the fight. Because the Vision can pass through walls, the Super-Skrull can’t give chase, and so he shouts this in frustration at the fleeing android. It’s the kind of moment that makes me love those early Marvels.]

Also, I should give extra credit to Chris Claremont for teaching me a variety of foreign words. One of Claremont’s enduring mannerisms was to make sure we were constantly reminded of each character’s nationality by either transliterating that character’s speech (e.g. “I dinna ken what ye mean, Dani!”) or peppering it with foreign phrases, or, most often, both. Consequently, Japanese characters were always hissing that Wolverine was “gaijin” (foreigner), Colossus was constantly exclaiming “boizhe moi!” (my God!) and so on.

The Hero With A Thousand Bat-Themed Gadgets

I just recently finished reading Joseph Campbell’s The Hero With A Thousand Faces, and towards the end, I came across this quote:

“The hero of yesterday becomes the tyrant of tomorrow, unless he crucifies himself today.”

This made me think: man, those Dark Knight writers are really tuned into some deep story grooves.

Update to the Dr. Horrible Update

Well, that was a downer. I mean, great to avoid cliches and all, but still: kind of a downer.

And I was having so much fun, too.

Plus, the guy’s kinda-girlfriend is dying, and I’m thinking, “Dude! You have a freeze ray! Can’t you stop time until the paramedics arrive?” I guess maybe it was out of power.

I am still filled with love for parts I and II. I am filled with ambivalence about part III.

Dr. Horrible update

Re: Dr. Horrible’s Sing-Along Blog

I love, love, love it.

Love Neil Patrick Harris. Love Nathan Fillion. Now have crush on Felicia Day. Ridiculously in love with Joss Whedon.

Love the funny. Love the songs. I love, love, love it all. I am filled with love for it.

The Incredible Hulk

The Hulk isn’t a superhero. He exists in a world of superheroes, and he was created second (just after the Fantastic Four) during the most legendary superhero-creation-spree of all time, Stan Lee’s run at re-envisioning costumed crusaders for the 1960s. But he’s not a superhero, any more than Godzilla, Frankenstein’s creature, or the Wolfman are superheroes. (Though they, too, were all adapted into comics form by Marvel.) He’s a monster. He comes out of the tradition of monster comics that Lee was writing just before he invented the FF, and although the Green Goliath was constantly encountering Spider-Man, the X-Men, Thor, Iron Man, Captain America, and so forth, as a character he has very little in common with any of them. He was one of the original Avengers, but there’s a reason why his membership only lasted two issues.

Superheroes are people (or entities who might as well be people) with extraordinary abilities, trying to do good. The Hulk, at least in his most famous incarnation, lacks the mental capacity to form such an intention. Although superpowered (what with being the strongest individual in the world), he is no hero. He’s a pure destructive force, extremely dangerous to anyone and anything he encounters. Sure, he’s misunderstood, and he’s constantly trying, unsuccessfully, to be left alone, but the Army is right to try to neutralize him. He’s like an unstoppable, indestructible, infinitely strong, emotionally abused toddler who lacks any sort of parental figure. The only control on him is his alter ego, who (understandably) is constantly trying to eliminate his greenish tendencies, but of course, if that happened, there would be no story. So it’s never going to happen in any permanent way.

All this presents quite a problem when you’re making a Hulk movie. You’re stuck with a monster movie that you have to somehow sell as a superhero movie, because in the mistaken public mind, the Hulk is a superhero. So what do you do? You make him sympathetic (not hard given his misunderstood quality.) You make Banner really likeable and tie the two together so that it’s clear that the Hulk, dangerous as he is, is a cage that’s wrongfully imprisoning a good person. You taint the intentions of the Army, who really ought to be the heroes of this story, so that they turn from protectors of humanity to destroyers of it. Finally, you provide a villain who’s as powerful as the Hulk but is genuinely evil rather than just rampant, so that we must root for the Hulk to emerge, because he’s the only thing that has a chance of stopping this other force.

Louis Leterrier does all these things successfully in The Incredible Hulk, but he does one more thing too: he stuffs the movie with so many sly references to comic and TV lore that it firmly establishes itself, especially in the wake of Iron Man, as a clear attempt at putting the Marvel Universe on screen. For me, at least, that was where the fun really came alive.

Iron Man

I’ve never been a fan of Robert Downey, Jr. Not because of all his personal struggles (though his judgement has certainly been less than impressive many times), but because I felt like he was a one-note actor who could only play smarmy jerks. Also, Iron Man himself has always been a character I could take or leave. I never had much against him, but never sought out his adventures either. Consequently, I wondered if seeing Iron Man would be an unpleasant repeat of the Ghost Rider experience — an actor who annoys me playing a superhero I don’t care about.

Well Robert, all is forgiven. You were fantastic. And Shellhead, you’re more interesting to me than you’ve ever been, thanks to this movie, a note-perfect film distillation of Iron Man comics. The movie does an absolutely stellar job of making Iron Man an emblematic hero for our current historical moment, and makes Stan Lee’s concepts seem smarter and more prescient than they ever were (not that they were dumb!)

Fantastic Four: Rise Of The Silver Surfer

I wasn’t a fan of the first Fantastic Four movie, so I went into this one with trepidation. I suppose a more rational person just wouldn’t go at all, but I am not that person. I’m a big fan of the FF, and the last movie did provide some things I liked, so I’m not going to just stay home. I went hoping to find some enjoyable moments, and I did. I found some enjoyable moments, surrounded by a sea of suck.

Heroes season 1 finale

I enjoyed the finale of Heroes very much, but there were a couple of bits in the final scene that didn’t sit quite right with me. (Well, the climactic scene, I mean. Not the actual final one.) They were almost right, but I’m amending them in my head to be better.

*** Spoilers below ***

FF Spam

Every few days, I have to delete a new spam comment from my review of the first Fantastic Four movie.

WTF?

I mean, okay, I can envision some kind of spam-posting robot that looks for LJ entries about topics that might be popular right now and places a spam comment there. But I also have a Spider-Man 3 review sitting out there, which even has the advantage of not being 2 years old. Yet no spam on that one. (Not that I’m hoping for it!) I am confused.

Spider-Man 3

Here’s the thing about Sam Raimi’s Spider-Man movies: they never let me down. Yes, there are always a few pieces I would have done differently if it were up to me. (HA! Yeah, easy to say.) Yes, they pick, choose, and rearrange bits of the mythos, and they leave out some important character pieces (like Spidey being funny). However, I think it would be a huge mistake to try to be stickler-faithful to the comics, and the translations that these movies do are full of great choices.

Mainly, what they do is choose excellent actors, give the characters emotional depth, and allow them to move through arcs that aren’t just about who punches the hardest, but who can summon the most inner strength, and what it costs to do so. By focusing on emotion, they faithfully render the spirit of the best Spider-Man comics. I hoped that Spider-Man 3 would continue this trend. It didn’t let me down.

*** From here, it gets spoilery. ***

Page 5 of 6

Powered by WordPress & Theme by Anders Norén